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<article class="post-13994 page type-page status-publish has-post-thumbnail entry" aria-label="Peter Donovan" itemscope itemtype="https://schema.org/CreativeWork"><header class="entry-header"><h1 class="entry-title" itemprop="headline">Peter Donovan</h1>
</header><div class="entry-content" itemprop="text"><div class="featured-image"><img width="900" height="507" src="https://sweetheartpr.com/wp-content/uploads/2025/02/Peter-Donovan.png" class="aligncenter" alt="Peter Donovan" decoding="async" srcset="https://sweetheartpr.com/wp-content/uploads/2025/02/Peter-Donovan.png 900w, https://sweetheartpr.com/wp-content/uploads/2025/02/Peter-Donovan-300x169.png 300w, https://sweetheartpr.com/wp-content/uploads/2025/02/Peter-Donovan-600x338.png 600w, https://sweetheartpr.com/wp-content/uploads/2025/02/Peter-Donovan-768x433.png 768w" sizes="(max-width: 900px) 100vw, 900px" /></div>
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<div class="wp-block-button"><a class="wp-block-button__link wp-element-button" href="https://www.peterdonovanmusic.com">Website</a></div><div class="wp-block-button"><a class="wp-block-button__link wp-element-button" href="https://www.facebook.com/peterdonovanmusic">Facebook</a></div><div class="wp-block-button"><a class="wp-block-button__link wp-element-button" href="https://www.instagram.com/peterdonovanmusic/">Instagram</a></div><div class="wp-block-button"><a class="wp-block-button__link wp-element-button" href="https://peterdonovan.bandcamp.com/">BandCamp</a></div>
</div><div style="height:35px" aria-hidden="true" class="wp-block-spacer"></div><iframe style="border-radius:12px" src="https://open.spotify.com/embed/artist/63q4ec7GmIfOuO4Nvu27Vv?utm_source=generator&theme=0" width="100%" height="352" frameBorder="0" allowfullscreen="" allow="autoplay; clipboard-write; encrypted-media; fullscreen; picture-in-picture" loading="lazy"></iframe><div style="height:26px" aria-hidden="true" class="wp-block-spacer"></div><p class="cnvs-block-core-paragraph-1705345544435">In a smoky dive bar at the edge of town, where neon dreams go to die, and last calls become first chances, Peter Donovan’s new album <strong><em>Community Theatre</em></strong> unfolds like a whiskey-soaked fever dream. It’s an ambitious theatrical song cycle that proves sometimes the most compelling dramas happen not under Broadway lights but beneath flickering beer signs.</p><p>Known for spinning yarns about vampire love affairs and presidential misadventures with Seattle’s All The Real Girls and The Rose Petals (garnering nods from Paste Magazine, Consequence of Sound, and American Songwriter along the way), Donovan has now crafted his magnum opus – a genre-bending narrative that follows Lorelei, a runaway bride who trades her white dress for a bartender’s apron and finds herself collecting other people’s stories like empty bottles at closing time.</p><p>“All the world’s a stage,” Shakespeare once mused, but in <strong><em>Community Theatre</em></strong>, it’s a dive bar called Frankie’s, where every barstool holds a character and every drink order comes with a side of redemption. Recorded during the final days of Seattle’s legendary Strange Earth Studios, the album captures lightning in a bottle – or more accurately, ten bottles, each one a perfectly crafted cocktail of indie rock urgency and Broadway grandeur.</p><p>Gone are the expected acoustic foundations of Donovan’s earlier work. Instead, inspired by Bright Eyes’ <em>Digital Ash in a Digital Urn</em> and the narrative complexity of Stephen Sondheim, he builds these songs from the ground up with hypnotic drum grooves and atmospheric synthesizers. A revolving cast of Seattle’s finest vocalists – Chantel Bailey Blount, Natalie Colvin, Kate Dinsmore, and Sarah Gerritsen – bring Lorelei’s world to life with performances that blur the line between rock club and theater district.</p><p>Fate played its own role in the album’s creation during the spring and summer of 2023. When Donovan’s regular guitarist suddenly departed for another tour, the universe sent Sean Woolstenhulme, whose distinctive six-string voice helped reshape the album’s sonic landscape. Alongside Dune Butler’s synthesizer sorcery, Bradley Laina’s thunderous bass, William Mapp’s heartbeat drums, and Charles Wicklander’s ethereal keys, the band captures what Donovan calls “the unpredictability of a room full of people who’ve spent far too much time alone.”</p><p>From the opening curtain to the final bow, <strong><em>Community Theatre</em></strong> transforms the mundane into the mythic. Through Lorelei’s eyes, we witness snowstorm romances that burn too bright to last, barroom confessions that feel like soliloquies and the kind of love that feels like finding your way home after being lost for years. It’s a reminder that even in our most isolated moments, we’re all part of some grand production, taking our cues and missing our marks, improvising our way toward connection.</p><p class="cnvs-block-core-paragraph-1705346499577">As the final album recorded at Strange Earth Studios, <strong><em>Community Theatre</em></strong> stands as both a creative breakthrough and a poignant farewell. By wedding his musical theater roots to indie rock ambitions, Donovan hasn’t just made an album – he’s created a world where every broken heart gets a spotlight, and every lost soul gets a second act.</p><h2 class="wp-block-heading">PREVIOUS PRESS</h2><p><strong>RIYL: BRIGHT EYES, WILCO, THE WALLFLOWERS, GIN BLOSSOMS, TOM PETTY</strong></p><p>“This soon-to-be hit-maker has a knack for Smithereens/Marshal Crenshaw sprinkled power pop.” – <a href="http://link.sweetheartpr.com/x/d?c=21519614&l=cfa36d2f-2f34-4e61-bb20-8a0d2498e2e4&r=ba7e00b5-cb89-4325-a860-63b2f2b51f6b" target="_blank" rel="noreferrer noopener">Glide Magazine</a></p><p>“Former All The Real Girls frontman channels Kelly Clarkson on the lead single from his forthcoming solo debut. ” – <a href="http://link.sweetheartpr.com/x/d?c=21519614&l=200b0ee6-d516-4b34-934d-d013a5473a8d&r=ba7e00b5-cb89-4325-a860-63b2f2b51f6b" target="_blank" rel="noreferrer noopener">Rock and Roll Globe</a></p><p>“Artist You Need To Know.” – <a href="http://link.sweetheartpr.com/x/d?c=21519614&l=da09214d-221e-4b3f-9cbc-4f49d7e84caf&r=ba7e00b5-cb89-4325-a860-63b2f2b51f6b" target="_blank" rel="noreferrer noopener">Ditty TV</a></p><p>“Peter has a talent for creating basic rock tailored pop-ditties with catchy melodies and sharp arrangements, all recorded with his folky storytelling expertise.” – <a href="http://link.sweetheartpr.com/x/d?c=21519614&l=bbe4b8e7-60da-4bb3-8b00-ba2201e56aad&r=ba7e00b5-cb89-4325-a860-63b2f2b51f6b" target="_blank" rel="noreferrer noopener">Americana Highways</a></p><p>“Vibrant shiny high tempo power pop, with smart lyrics and, yes, maybe just a touch of Josh Ritter.” – <a href="http://link.sweetheartpr.com/x/d?c=21519614&l=2df43125-d400-4aa5-a9a4-f0173a1080ba&r=ba7e00b5-cb89-4325-a860-63b2f2b51f6b" target="_blank" rel="noreferrer noopener">AmericanaUK</a></p><p>“Slips in an out of genres seamlessly from pop and rock to folk and Americana; the one consistency throughout is simply great songwriting.” – <a href="http://link.sweetheartpr.com/x/d?c=21519614&l=cfa36d2f-2f34-4e61-bb20-8a0d2498e2e4&r=ba7e00b5-cb89-4325-a860-63b2f2b51f6b" target="_blank" rel="noreferrer noopener">Glide Magazine</a></p><p>“Bright vibey instruments and broody piano identify Donovan’s signature style.” – <a href="http://link.sweetheartpr.com/x/d?c=21519614&l=bbe4b8e7-60da-4bb3-8b00-ba2201e56aad&r=ba7e00b5-cb89-4325-a860-63b2f2b51f6b" target="_blank" rel="noreferrer noopener">Americana Highways</a></p>
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