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How To Get Your Music on the Radio

Music Rookie

A conversation with Shil Patel, who owns radio promo company Tiger Bomb Promo. He’s done promo campaigns for Sufjan Stevens, Stephen Malkmus and the Jicks, Hiss Golden Messenger, Julia Holter, The Magnetic Fields, Daniel Romano, Sarah Shook & The Disarmers – and many many many more.

If you want to know more about how a radio campaign works – Shil is going to break it down for us. He shares the components of a campaign, how he gauges if the campaign is successful, the hidden benefits of doing a radio campaign, and some of his best advice to up and coming musicians.

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Here Are The Best Interview Tips for Radio!

Music Rookie
A conversation with Jimi Palacios from Gimme Country, a digital radio channel that’s grown extensively over the last few years. Jimi is a multi-year Ameripolitan Award nominee for Radio DJ of the Year. We spoke to him about his radio show, Country Du Monde, where he does a daily interview with tons of buzzworthy musicians. We asked him about his process in selecting music for his show, the good and bad of music genres, plus a lot more. Also, since Jimi is such a fantastic interviewer and so we got him to give us his best interview tips for radio.

A radio interview can be a major way to get the word out about your music. They can be either live or for later broadcast. After you set one up, you should definitely listen to a previous radio interview the interviewer has done so you can see their style. Is it funny? Is it serious? Should you have a lot of anecdotes or technical knowledge ready to fire off?

Radio interviews can happen via phone or via a video app such as Zoom or Skype. Make sure you knowledge of how to use one of these BEFORE the interview. A good mic is key to making your voice sound clear on the radio during the interview. You’re a musician, you should know all about mics, right?

P.S. Be sure to check out our other Music Rookie Podcasts!

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Glide Magazine Premieres New Single by Colin Cutler

North Carolina-based singer-songwriter and Army veteran Colin Cutler might very well be the second coming of fellow Carolina musician/historian Dom Flemons. Armed with a banjo, guitar, and harmonicas, Colin’s music draws inspiration from various genres, including early country, blues, old-time, gospel, and rock and roll. It might be safe to say that if Bob Dylan would listen to new music, he might even mark a spot on his playlist for Cutler who evokes a Time Out of Mind/Love and Theft era of folksy and bluesy aesthetics. 

His upcoming album, Tarwater, set to be released on October 31st on Bandcamp and via streaming on November 3rd, is a unique marriage of Culter’s literary and musical interests. In a pilgrimage across the Americana genre, from his folk roots in banjo-based old-time to the gospel music of his Pentecostal upbringing, to honky-tonk country and blues-based roots rock, the lyrics explore the literary works of Flannery O’Connor, the Georgia Catholic writer whom Kurt Vonnegut hailed as “the greatest American short story writer of [his] generation.” Colin has transformed these stories into a captivating musical tapestry weaving together sound that captures the essence of life’s highs and lows.

Cutler first encountered the works of O’Connor during his college years. Initially uncertain about his feelings toward her writing, he recognized the depth of her storytelling, which placed characters in challenging circumstances to explore their true essence, shot through with sparks of the divine. This connection inspired him to record the Peacock Feathers EP (2018), featuring four songs based on characters from O’Connor’s short stories. The EP not only sparked engaging discussions at conferences but also granted Cutler the privilege of performing at O’Connor’s former home, now a museum, in Milledgeville. The project even caught the attention of BBC Introducing, earning him international recognition.

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Americana UK Premieres New Single By Philip Bowen

Appalachia is still a fertile breeding ground for new roots artists.

Appalachia has exerted a massive influence on American roots music over the years, being the region where the original Scottish and Irish settler’s music from Scotland and Ireland mixed with the blues of the black population to create something that is at once familiar but also different. The music was homemade, and played by friends and family rather than by professional musicians. This process is still happening today as the latest musician to emerge from the area, Philip Bowen, uses his Appalachian experiences as inspiration for his album ‘Old Kanawha’. Americana UK’s Martin Johnson caught up with Philip Bowen over Zoom in Detroit to discuss the stories behind ‘Old Kanawha’ and why he thinks there is a vampire in Appalachia. He explains how when he was growing up music was everywhere and at every gathering, including birthdays, weddings and funerals, guests would bring their instruments. He also hints at the challenges posed by Appalachia as he explains that his grandfather’s brother died of black lung, and how serious the current opioid crisis is in Appalachia. As far as his own musical influences are concerned he lists James Taylor, The Milk Carton Kids, Watchhouse, John Prine, and Jason Isbell as modern-day inspirational acts who are also very good storytellers. He also explains how social media has played a big part in his success to date. Finally, he explains that the Scottish influence in Appalachia is still strong as he names Scotland’s Frightened Rabbit as his favourite band of all time.

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Whiskey Riff Premieres Philip Bowen’s New Album

If I’ve said it once I’ve said it 100 times: The best country music right now is coming out of Appalachia.

And West Virginia native Philip Bowen is keeping that trend alive.

If you’re not familiar with Philip, he burst onto the scene with his incredible TikTok videos of himself playing fiddle alongside some great country songs. But he’s not just a fiddle player: Philip’s an amazing singer and songwriter in his own right, and now he’s ready to share some of his own music with the world.

Announced back in May, Philip’s debut album Old Kanawha drops this Friday, August 18.

But we’ve got your first opportunity to hear it before it’s released right here on Whiskey Riff.

The 13-track album is deeply rooted in his Appalachian upbringing, something that Philip tells Whiskey Riff was important to him when he set out to make the project:

“I wanted to try my very best to do as much as humanly possible in West Virginia, Appalachia, with talent from the region.”

It’s that sense of place that shines through on the album, while still remaining relatable to those outside the mountains of West Virginia, on songs like the previously-released “Vampire in Appalachia” and the companion song that follows, “A Murder.”

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The Bluegrass Situation Premieres Grace Morrison’s New Single

Artist: Grace Morrison
Hometown: Wareham, Massachusetts
Latest Album: Maybe Modern

What’s your favorite memory from being on stage?

There are so many! I remember the very first time I was onstage with my guitar. I was 13, and had been playing for maybe six months. I had a seafoam green electric guitar (because that’s what Billie Joe from Green Day played) and I played “Who Will Save Your Soul” by Jewel. I recall the terror before I began, and then this “hard to put your finger on” zen that came over me as I got into the song and was blinded by the lights. That moment is what got me hooked. Shortly after I remember performing in a local coffeeshop and James Spader walked in (I only knew that he was famous because people told me) and threw $20 in the tip bucket. I still have it. Then there was my little stint singing backup for Eddie Money. He had a cup of water on stage during rehearsals, and my guitar pick flew from my fingers directly into his cup of water. I may have been a tiny bit nervous he’d notice and get mad at me… he did not notice.

But most recently, I felt completely elevated at my album release show. Since 2020 I’ve played exclusively solo after years playing in bands. When we recorded my new record, the drummer John Chipman suggested we hold the album release show in Austin at the Saxon Pub. I’d been sick so I was pretty concerned about my voice before we started playing. But then I started strumming “Broken Things.” And Rich Brotherton started playing guitar. And I swear, when the chorus hit and the full band came in it was like being high. I hadn’t had that feeling playing music in a LONG time. Every worry went away. All that existed was that moment in that song. It was like my favorite lyric from Walt Wilkins’ “Trains I Missed” — “the moments I find myself right where I’m supposed to be.” Performing for me is like a constant search for THAT feeling.

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